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Great Women Building a Gracious World Volume 2, Issue 2 March/April 2007
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Blue Girl (German Cross
Angora),
by Leslie Shelor Our Favorite Fiber Connections!
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March/April Contributing Writers Abigail, Sandra Bennett, Grace Hatton, Veryl Ann Grace, Marlene P. Gruetter, Catherine Hollingsworth, Prudence Mapstone, Maile Mauch, Michele Rathe, Bobbie Ripperger, Leslie Shelor, Monika Steinbauer, Judith Taylor,
Fiber Femmes is published bi-monthly on-line by:
Fiber Femmes 12206 Squirrel Spur Road Meadows of Dan, Virginia 24120 Email: fiberfem@fiberfemmes.com Submissions: submissions@fiberfemmes.com Advertising: advertising@fiberfemmes.com
Editor: Sandra Bennett Publisher: Leslie Shelor
While every precaution has been taken to ensure accuracy of material published, Fiber Femmes cannot be held responsible for opinions or facts provided by authors, advertisers or agencies. Authors retain ownership of their material and reproduction without their written consent is prohibited. Agencies, advertisers and other contributors will indemnify and hold the editors harmless for any loss or expense resulting from claims or suits based upon content of any advertisement, defamation, libel, right of privacy, plagiarism and/or copyright infringement. The views expressed by contributors are not necessarily those of the editor and publisher.
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What a Hat! An Adventure in Multicolored Yarn
Article by Veryl Ann Grace
I wanted a very special Christmas gift for a friend and, for once, I was actually planning ahead. It was July when I came up with an idea that not only produced that special gift but also stretched me in the process. She would receive a hat knitted from my own hand dyed, hand blended, hand spun yarn. This is the process that created that hat. I went stash diving for the fiber and came up with enough Blue Faced Leicester from Ashland Bay. It was a soft roving but without the problems that come with an extra fine wool like merino when one is a novice dyer. The last thing I wanted was pretty colored felt. The second fiber was dog hair from my friend's dogs. My stash included good supply of it collected from her dogs over a number of years. Judy has Great Pyrenees, a Caucsian Ovcharka, and Samoyeds, all premium dog breeds when it comes to fiber.
I used Ashford acid dyes for most of my dye stock and two different methods for dying my wool. The blue was five grams of blue powder and a pinch of yellow. Five grams of purple and one gram of hot pink gave me my fuchsia. My second purple is probably not repeatable. I started with about six ounces of leftover dye stock from the fuchsia. I added water to bring this up to 12 ounces of liquid. I used approximately two ounces of this liquid on a skein of yarn. I then added an ounce of blue dye stock from Jacquard dyes that I had on hand and filled the bottle to the twelve ounces again. My lighter aqua was made with four grams of teal and approximately ˝ gram of yellow. The darker turquoise was four grams of blue and two grams of green. All dyes were dissolved in twelve ounces of hot water before I used them. To dye my blue, I used an immersion method heating six quarts of water, a quarter cup of vinegar and my dye stock in a large dye pot. The wool was simmered for twenty minutes and then left in the pot over night. I did this because I was dying about 8 oz. of the fiber. For the other colors, I used the method featured in The Twisted Sister's Sock Book by Lynn Vogel. After soaking the fiber in water and gently squeezing the liquid out, I placed it on a sheet of plastic wrap and poured the cold dye on the roving. The fiber was then sprayed with vinegar, wrapped in the plastic wrap and steamed for twenty minutes to set the dye. It also sat in the plastic wrap over night. All fiber was then rinsed thoroughly and laid out to dry. I dyed about 2 oz. of each of the secondary colors. Although I kept records of my process, I'm not sure that they were good enough for me to duplicate the colors. I have a tendency to cook in a serendipitous way and I'm afraid that my fiber dying follows the same methods. When all was said and done though, I was happy with my colors. Ok, I have all this roving in very pretty colors; but that's a long way from multicolored yarn. So what's next…back to the Deb Menz book. Deb discusses a number of methods for blending fiber with each one giving a slightly different effect. No matter which method you use, I highly recommend that you make use of your scale as you choose the different amounts of your colors. It will allow you to duplicate your efforts for multiple batches. My next step was to create a number of
thin batts of the fiber. My
However, this still wasn't something that
I could use for spinning; so
The pattern for the hat was a simple
watch cap pattern that I found in The whole project took me about four months. But the work on it was sandwiched in between many other projects and a busy life that had nothing to do with fiber. With more concentration, the project could probably be finished in less than a month. Would I do it again? You betcha! It was lots of fun and there are all kinds of possibilities when you start blending your own yarn. It could challenge one for years.
© 2007 Veryl Ann Grace
________________________________ Veryl Ann Grace is a fiber artist who lives with her husband, Glenn, and dogs, Hoku, Kip, and Keanani, in the jungle outside of Hilo Hawai`i in the shadow of Kilauea and Mauna Loa volcanoes. She has been spinning for about fifteen years, weaving for about five, quilting for seven and knitting and crocheting for years and years. You can find her occasional musing on her blog at http://fiberinparadise.blogspot.com.
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